Wow! It's REALLY close to the end of the alphabet on this series of paper embroidery swaps.

We are up to 'V' and the assignment was to make something vintage. I chose a pattern for an antique carriage and actually stitched it using the proscribed threads! That's a rarity.

Because there was so much gold in it I made the first border of gold and then matched the base card to the seat cushion and hood.

The greeting is a gold peel-off sticker.

Ddd

Posted by studio3d@ccgmail.net at 12:01 AM PDT

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Sometimes, no topic suits and you just have to add a new category. Thus the topic 'Random'.

As I was out on the deck today I spied this beetle that I had never seen before. Hmmm. I 'googled' beetle identification oregon and then scrolled through pictures till I found one that looked like him.

Identification: Western Conifer Seed Bug

If its purpose is to eat the seeds of conifers, what it it doing on my deck that is not even made of wood? Unknown.

In any case, I thought it was interesting - if a little creepy.

Ddd

Posted by studio3d@ccgmail.net at 11:24 PM PDT

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This is the last quilt that I had sandwiched back in June. All the rest will have to wait for layering until September.

I used a pattern shared by one of the ladies in our quilting group. Several of them had made one or more of their tops for the baby quilts using this and I had some fabril left from a previously cut project that I knew would look great.

The black floral started out life as a wide striped fabric. I just cut out full blocks as big as the stripe would allow and adjusted all the other parts to fit that. 

The black border is a rosebud print that I bought a few years back and put it away waiting for inspiration. It perfectly coordinated with the floral.

I used up the very last of the floral in making the corner blocks for the outer border.

I kept the quilting very simple on this. I did echo quilting 1/2 inch from all the black fabrics and then stitched in the ditch down the yellow/green thirds.

I also did free-motion quilting as an outline to all the peach colored roses - one in each block.

The backing is a tone-on-tone peach leafy print. I used yellow in making the 1/4" binding.

Ddd

Posted by studio3d@ccgmail.net at 9:38 PM PDT

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I haven't been sitting idly between blog posts. It's just that I've been working on many projects but not bringing them to completion. I don't often post 'in progress' items, so it leaves idle time here.

In fact, I have been working on SIXTEEN quilts which are a various stages from pieces cut to waiting for quilting. Many of them are ready for backing but, without the space to spread them out, I will have to wait until I go back to group at church to sandwich them.

I did finish one today that I had sandwiched back in June.

I used the block construction called Stack, Shuffle and Slide (I used this on two of the baby quilt tops last winter) and selected only black and white fabrics. These came mostly from the 'fabric-by-the-pound' bin at the Sew and Stitchery Expo, though a few were in my stash. The fabrics were sorted dark to light and, at the insistence of my hubby, I threw in a few fucshia.

I arranged it so the darks trace a zig-zag on the diagonal.

The backing is also black and white:

In keeping with the modern feel of this project, I quilted with meandering squares in white thread.

Back to the machine.

Ddd

Posted by studio3d@ccgmail.net at 7:49 PM PDT

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Since this was a color challenge I used 'fuchsia' as the color but used a different flower in my design - the rose - which is, by coincidence, also a color.

I started with white core cardstock and ran it through the Cuttlebug with a thin metal die to cut the rose elements. I added the rubber mat and used the same die to emboss the flowers. Then I sanded the surface to expose the white core, lending dimension.

I had some printed cardstock and cut four strips to create a frame around the attached elements. The aperture is cut by the die.

I added the separated elements to the front and the back of the attached element using foam tape.

I added a piece of white-printed vellum behind the aperture and used a marker to color in some of the dots. I lined the area behind the vellum with a dark cardstock.

I used the same marker to color some white corner stickers and added them.

So, 'rose' or 'fuchsia' or what-have-you, there is my card for the color challenge.

Ddd

Posted by studio3d@ccgmail.net at 8:21 PM PDT

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Snapping pictures, cropping and editing from a trip to the coast.

I wanted to record the late afternoon shadows on this rustic door. It looked like a subject I might want to tackle with my new colored pencils. 

I got the set of 72 PrismaColors and have not had a chance to play with them yet.

Love the shadows of the leaves, the wood grain and the various greens.

Ddd

Posted by studio3d@ccgmail.net at 11:52 AM PDT

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Right on schedule, Tim posted his technique remix tag for August. And with only a little delay I created my own version.

Here are the techniques Tim combined:

And here is the tag he created using them:

This is another of those cases where I did not have the product to do a major part of this project, so I used a work-around. More about that later.

Here are the steps I used:

- Cut piece of manila cardstock to work on (I cut mine from an old file folder)

- Put out some Distress Stain on a non-stick craft sheet (I used a blue and a green)

- Very lightly, roll a brayer through the stain to cover it with droplets of color

- Quickly and lightly roll across the 'tag' in one direction

- Spritz with water to allow stain to blend a little. Dry with heat tool

- Apply some brown Distress Ink with a blending tool

- Flick on water to create droplets. Dry with heat tool

- Use distress tool to rough up all four edges

- Apply Distress Ink to roughed edges

- Select a piece of printed cardstock for the overlay

- Diecut a 'grid' (I did not have any grid dies so I used two sizes of round punches and created my own pattern of holes)

- Paint grid with light layer of Distress Paint

- Dry, sand and ink then divide into three pieces

- Adhere to three corners of the prepared 'tag'

- Use the diecut (punches in my case) to cut some other materials to inset into the holes in the grid

- Lay out and then adhere punches to some of the holes

- Diecut scrolls from black cardstock

- Adhere to tag

- Embellish design with words, stickers, labels, charms, etc. (In my case I used three chipboard bird stickers and some 'chit-chat' word stickers)

- I skipped the step of stitching along selected edges

- Spatter surface with black flecks

- Use Sharpie pen to add details (I outlined some of the chit-chat words and drew eyes on the birds)

- Cut base card and mount the decorated piece on it

Here is the card I created:

When I do these 'tags' I follow along with Tim and make step by step notes (like those above) with no sketches or photos. Then I take that cryptic list to the studio and start looking for products and supplies that I can use to get a similar effect.

After creating, I photo it and bring it back up to make these notes. That is the first time I have a side-by-side comparison of the end products.

So, there you go, another month complete.

Ddd

Posted by studio3d@ccgmail.net at 10:13 AM PDT

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I'm sure everybody has them... things that every one else thinks are so trendy and you can't stand them.

I run into this a lot in quilting and sewing. Here is a partial list of things I can do without:

HEXIGONS - Affectionately refered to as 'hexies'. These just do not appeal to me at all.

YO-YOs - Grandma used to make these and decorate liberally with them. YUK!

POM-POMs - Doesn't matter what you put them on, they look tacky.

RICK-RACK - Comes in giant, regular and itty-bitty. Same as Pom-Poms... tacky.

HOUNDSTOOTH -  As a subtle, tone-on-tone for a wool skirt it might be nice. But much of it is just too much.

PAISLEY - Subtle, mixed with other motifs, in very small doses. THAT I can live with. Sort of.

And when you get out of the sewing world, there are some other irritants...

'POP' OF COLOR or MAKES IT 'POP' - I am SO over hearing these phrases. Especially on decorating shows.

HOT MESS - I don't know who came up with this phrase, but it wasn't then, nor is it now, cute.

AMAZING - If everyone who uses this is truly that amazed, they need to get out more. Let's save it for things that we truly are genuinely amazed by.

AWESOME - Same as 'amazing'

There are probably many more, and I undoubtedly use many myself that others would put on their list, but for now, that is all I will burden you with.

Ddd

Posted by studio3d@ccgmail.net at 9:25 AM PDT

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It's been a while since I did a paper embroidery project - in fact, the last one was for this same alphabet challenge! It won't be long until the alphabet will be used up and I don't know what the host has in mind to do after that happens.

In the meantime, today we are up to 'U' and the theme 'United States'.

Since I was choosing my pattern at about the same time as Independence Day the natural tendency was to lean toward using a flag, fireworks or some other 'holiday' imagery.

But I got over that thought as soon as I ran across my pattern of the flying bald eagle with its patriotic banner.

I pricked it out on a flecked white cardstock and stitched with realistic coloring.

Other than trimming, I did not do anything else (stamping etc) that might compete with the image.

I did mount it on the card with a red border which gives it a more patriotic punch with the red, white and blue combination.

You can see in the photo that I decorated the envelope, too. Those dots and dashes continue all around the face of it. A simplified flag was drawn on the flap (one blue star and four red stripes). I hand wrote "God Bless America" in the white spaces between the red stripes.

Ddd

Posted by studio3d@ccgmail.net at 9:48 AM PDT

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When at the BIG fabric store I fell in love with a particular print and actually bought it in three colors. Then I selected some other prints that echoed the colors that they had in common. It wash't until I got them home that I realized that the script printed in the background was scripture! Cool.

I wanted the butterfly fabric to be a true feature on a quilt and knew I had the right pattern when the Missouri Star Quilt Company tutorial for the Friendship Star Sashing came out. It was perfect - using huge blocks with all of the design work taking place in the sashing.

I arranged the blocks to create an off-center concentric diamond shape and used a medium blue for the stars and a dull red for the outer border.

Here you can see how the snowballed ends of the sashing combine with a matching cornerstone block to create the friendship stars.

The scriptures (Revelation 4: 8, 11, 5:13) are repeated over and over in different colors and sizes across the fabric.

Here you can see a little bit of the quilting. I quilted the scriptures in script across the surface. "Holy, holy, holy is the Lord God Almighty, who was, and is, and is to come. You are worthy, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they were created and have their being. To him who sits on the throne and to the Lamb be praise and honor and glory and power, for ever and ever."

This will go as a gift for a departing pastor from our church staff.

Ddd

Posted by studio3d@ccgmail.net at 5:14 PM PDT

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It being the beginning of the 3rd quarter of the year, the papercrafts group was issued a new challenge with a tic-tac-toe board. We were to make a card using the three items from any single line in any direction.

This is the board:

Wood       Punch      3D

Dots        Autumn     Cork

Sequins    Animal      Brown

I chose the top row: Wood, Punch, 3D and set to work.

For the wood I used a cardstock printed with boards. I used corner punches and a foil finish 3D image of a door knocker.

I mounted the door knocker on the wood printed piece and bordered this in brown. In the background (with subtle dots) I used individual letter dies to spell out 'new home' which I backed with more brown which also borders the entire piece.

I used corner punches all around and topped them with silver peel-off corner stickers that I had tinted with alcohol markers.

I used a double layer of peel-off text sticker in the space between the diecut words. This word was also tinted with alcohol markers.

Perfect timing for sending to someone whose new home purchase closes this week.

Ddd

Posted by studio3d@ccgmail.net at 5:31 PM PDT

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Whoosh! Shutterfly is fast on delivery of the books I have designed. I ordered this one late on June 29 and received it in the mail on July 2.

The subject I chose for my book this time was the use of my hand-carved stamps. I have been carving for years - sometimes with a craft knife and sometimes with Speedball carving tools, sometimes using erasers (both pink and white) and sometimes using pink or white carving medium. Personally my preference is for the carving tools on pink carving medium. I think it yields a much better result.

In any case, I have quite a collection of hand-carved stamps and use them a fair bit. Some are more popular than others: Hummingbird, Roses and Butterfly.

For the book, I collected photos of projects and grouped them by the stamps I used along with simple labeling.

The cover piece is made with watercolors, overstamped with the butterfly:

I had two photos of projects using the Two Feathers stamp:

The next spread features the Window on the left page and the Phoenix on the right:

Until I gathered the photos, I didn't realize that I had put a red bow-tie on the Penguin every time I used it! On the right page the Raccoon goes fishing every time:

On this left page I featured the Hat and the Llama. The right page has three stamps - Aladdin's Lamp, a Hibiscus, the Dragonfly:

This whole spread is single uses of different stamps. On the left are Crayons, a Dip Pen, a Lightbulb and a Fingerprint. On the right page are a Moon, a Postage Stamp and Fish Skeleton:

You can tell what my favorite stamps are by how many times I have used them. This whole spread is on the Hummingbird. Although mostly cards, I do have a set of coasters I made using white tiles:

This next spread features single stamps around the edges and one card that combines them all in the center. On the left is the Lighthouse. At the top-right are two different Fish and the lower-right shows the Tulip Cluster. The center card uses all except the Tropical Fish.

The most used stamp is a set of 3 Roses. There is a full bloom, a half bloom and a bud. This spread uses single blossoms:

This page spread features the full set of 3 Roses. Through the use of judicious masking I am able to create small to large bouquets:

Another favorite stamp to use time and time again is the Butterfly. The parchent box with the butterfly on the lid was created by my sister-in-law for a wedding. The card on the front cover of the book is not repeated here:

The last page features the Iris:

On the back cover I included the actual Panda stamp I carved for my grandson but never used on a project. My other grandson has a Train Engine I carved but never stamped.

The back cover also includes Author and Studio information.

Another fun project is 'in the books'.

Ddd

Posted by studio3d@ccgmail.net at 12:20 PM PDT

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Remember how I said that if I ever got a coupon to make another free book with Shutterfly I would sure do it? Well, I got one of those coupons and finally decided what to make a book about.

I chose to document the 25 baby quilts I made for a donation project at church, where our quilt group meets.

For the cover  I used an image of a quilt with an over-all random arrangement of scrappy squares. A title in white print showed up best.

This is an 8x8 hardbound book with black pages to show contrast with the colorful quilts. The first page groups together 4 strip-pieced quilts with the same scraps and layouts.

Since the book only has 20 pages and I had 25 quilts I made layouts that combined similar projects. Since I've showed these all before on multiple platforms I'll just show the layouts instead of commenting on each one.

I kept changing the layout of the pages to keep the look fresh.

By combining like quilts throughout, I ended up with an extra page at the end. I used it to summarize the project.

The back cover has room for a small photo and text. I included the photo of the small grid quilt and added author and imprint notations.

I love that it has the barcode on the back cover though I've never scanned it to see what it links to.

I had one more coupon for a free book which I have submitted but not yet received back in the mail. Soon, I promise.

Ddd

Posted by studio3d@ccgmail.net at 9:14 AM PDT

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I set a new record (for me) in the speed with which I completed one of the tags in Tim Holtz's series. I mean, he only posted it THIS MORNING!

Here is the tag he made:

and it is based on a remix of these two tags:

Here are the steps I used to create MY project:

- Stamp image on heavy watercolor paper using black archival ink

- Watercolor the image using the ink from Distress Markers

- Dry with heat tool

- Apply Microglaze to select areas that you want to resist color

- Apply a wash of Distress Ink over the surface

- Use heat gun to dry completely. This will melt the Microglaze away

- Spritz image with walnut ink

- Trim to size

- Use walnut Distress to ink the edges

- Cut a mounting piece at lease 1/4 inch larger all around

- Mark and cut a top and bottom slit for the stamped piece to slide behind.

- Ink edges of background piece with walnut Distress

- Ink edges of the sliced area with walnut Distress

- Place word die on the sliced area

- Cut word from background

- Cut a script word from dark cardstock

- Slide stamped piece into place behind cut strip of background

- Adhere stamped piece and background together securely

- Glue script word in place

- Prick holes for 5 brads across bottom. Install brads

- Add stickers to decorate (chit chat words, arrow, passport, photos)

- Adhere to front cover of a handmade book

Here is my finished piece:

Here's to finishing more projects in record time!

Ddd

Posted by studio3d@ccgmail.net at 8:10 PM PDT

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It has been a LONG break here on the blog - something that takes getting used to. From posting daily for 9 years to taking an 18 day break between posts...

I was able to use a gift card I'd had for 4 1/2 years (!) at a craft store yesterday and was delighted to find they had the last set of mini-distress pads in stock. I picked those up, along with a large set of Prismacolor colored pencils, a bit of fabric and some other random bits of fun supplies.

Today, I set out to use the Distress inks. I started with a cardstock with big white dots on black background. I used Q-tips to apply the four colors in the set randomly on the dots. The colors are Lucky Clover (teal green), Wilted Violet, Candied Apple and Carved Pumpkin.

There were a few dots left so I filled those with a Distress Marker in Old Paper.

I used black ink to stamp unreadable script over the whole surface and diecut text and a butterfly from the background. I trimmed the piece down to size and backed it with a bright yellow cardstock then traced around the butterfly cutout with black pen.

I used two gold butterfly stickers to decorate the front and added three sizes of pearl to the bodies of the butterflies.

The same sheet as the butterflies had some round flowers so I used three of those for continuity.

Ddd

Posted by studio3d@ccgmail.net at 4:44 PM PDT

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I don't know if this is a new idea for you but it sure was for me. 

I had a wild thought the other day when contemplating what to put on my nails next. I wanted some kind of artwork look and decided to see if I had any tissue paper in the studio that had small motifs on it.

Sure enough I found this piece:

I had the idea to try a tissue wrap on my nails much like the ones I used recently on the Tim-tags.

So, I started out by cutting out small purple flowers and then I cut slits into the paper all around right up to the flowers (this was so the tissue would mold to the shape of the nail.

I used clear base coat and two coats of white polish on each nail. When they were completely dry I worked one-by-one. I applied a coat of clear topcoat, placed and burnished a tissue and trimmed around all the edges and tip wiith small scissors.

Then I put a small dot of gold glitter on the yellow flower centers.

After all was dry I filed the edged smooth and then used two coats of topcoat to seal them.

They ended up looking like painted porcelain and I love them.

I have no idea how long something like this will last. It's all an experiment at this point.

Also, this was a LOT of work, so I probably won't do it again.

Ddd

Posted by studio3d@ccgmail.net at 7:31 AM PDT

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Look how early in the month I am getting the June tag done!

As you recall, Tim Holtz creates a tag every month for inspiration using his products. Throughout 2016 he is combining two old tutorials to be his own inspiration.

This month he combined these two tags:

And this is the tag he created:

Of course, I never have the same supplies to work with (well, a few here and there) so I just wing it with similar things from my studio.

Here are the steps I used to create my piece:

- Stamp white tissue paper with black archival ink in overall background print (used second-generation stamping to lighten it)

- Crinkle and smooth tissue paper

- Cut piece of white mat board

- Tint matte medium with vintage photo Distress Stain

- Use matte medium to adhere tissue to mat board

- Dry with heat gun

- Wipe over surface with anti-static bag to reduce tackiness

- Cut shape into covered board using a craft knife

- On white fabric use mini-Distress ink pads to create a subtle plaid (I used hickory smoke and ground espresso in one direction and fossilized amber and cracked pistashio in the other)

- Mist very lightly and dry with heat tool

- Use Xyron to adhere fabric to white cardstock

- Use Xyron to adhere this base to back of the cut-out piece

- Outline inside of cut-out with black Distress marker

- Decorate front surface with rub-ons that look like stitching

- Use black Distress marker to draw drop-shadows under rub-ons

- Smudge with fingertip

- Ink edges of piece with walnut Distress ink

- Adhere a couple of 'chit chat' words

- Use black Distress marker to draw around the words

- Smudge with fingertip

- Use Black Distress marker to draw in a 'stand' for the cutout

And here is my finished piece:

This piece is about 4 1/2 x 8 (I say this from guestimates NOT measuring).

Ddd

Posted by studio3d@ccgmail.net at 8:37 PM PDT

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Not so long ago I shaared some cards I made with the experimentations using the mini-distress ink pads I had bought. The pads came in sets of four and I used four of them on those experiments without regard to which set the pads originated from.

So I had four new pads left and wanted to do some different experiments. I had a brown, turquoise, purple and dark yellow.

I pulled out a sheet of watercolor paper from a pad and took each of the colors in turn and made a direct-to-paper swipe top to bottom. Then I turned the paper and made stripes with each in turn until I ended up with a plaid.

When the sheet was completely dry (I helped it along with the heat gun), I used a paper cutter to chop the whole page into one-inch squares.

I sorted the squares by their dominant and accent colors as set up for the next steps.

I chose four squares with similar coloring and arranged them on scrap paper in a grid with a small space separating them. Then I used black ink to stamp an image, letting the stamp hang off as needed.

I selected a background (cut to 4 x 5.25) that went with the colors in the square. These papers were new to my stash as I just picked them up in a 12x12 pad at Tuesday Morning. I had cut each of the pages to 6x6 for ease in working with them.

First, I stamped the image onto a stamp positioner. Then I laid the squares on the background where they would be mounted. I placed the stamp positioner with the image lined up on the squares, set the 'L' in place, removed the stamped plate, removed the squares and then stamped the image on the background. PERFECT!

I used foam tape to mount the squares over the stamped background where their perfect alignment allows the image to show in the spaces between and aound the edges.

Each card got a bordering piece to enhance the image and became the front on a white card base.

I made 15 cards using 6 stamped images.

2 cards were made with nesting birds:

2 cards were made with a floral grouping. The image fit all inside the squares so y9ou only see the stamped portion of the background in the spaces:

3 cards were made using the large bird image:

2 cards use this small hummingbird stamp:

2 cards use a larger hummingbird:

For these cards with two floral blossoms I had to use the stamp positioner two times to align the images separately. 2 cards are arranged like those shown previously:

I wanted to do something a little different so I arranged the squares to be off center on one card and I used only 3 squares on another:

I'm going to match these with envelopes and give them as a gift set of notecards.

Ddd

Posted by studio3d@ccgmail.net at 12:01 AM PDT

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I know it hasn't been that long since I posted nail art but, I was looking at my nails and the longest one looked like it had a crack from the tip to the finger. DRAT!

It was only after I took the manicure off that I discovered it had been the polish that was cracked and not the nail.

So I just got busy repainting them.

I started this manicure by painting liquid latex around the nail on the skin and cuticles. After it was dry I did the manicure and then peeled off the latex. This allows you to get right up to the edge of the nail and do easy cleanup.

After a coat of clear base I put on a layer of white. Then, working nail by nail I applied a second coat of white, dropped on red and purple and swirled them together with an orange stick.

They all got a coat of gold fine glitter followed by clear top coat.

Not much of the white shows, just enough to create the marbled effect.

Here is the best view of the gold layer:

Can you believe how long these nails have survived?

Ddd

Posted by studio3d@ccgmail.net at 12:10 AM PDT

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When the challenge came up to make a papeer embroidery card with 'trees' I was finding most of my patterns were for Christmas trees. It seemed a bit too early to go down that route.

I did have this pattern that I have stitched up for Christmas before but changed it up by using different papers and threads.

I went with forest green threas for the trees and grass green for the ground, stitching onto a big dot paper and backing that with small dots.

A dark green paper serves as a background over a golden base card.

I used a couple of word stickers that match the card colors.

Ddd

Posted by studio3d@ccgmail.net at 12:01 AM PDT

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